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home about/contact Digital Audio Insider is David Harrell's blog about the economics of music and other digital content. I write from the perspective of a musican who has self-released four albums with the indie rock band the Layaways. My personal website has links to my LinkedIn and Google+ pages and you can send e-mail to david [at] thelayaways [dot] com. Support If you enjoy this site, please consider downloading a Layaways track or album from iTunes, Amazon MP3, Bandcamp, or eMusic. CDs are available from CD Baby and Amazon. links music/media/tech: Analog Industries Ars Technica AppleInsider Brad Sucks Blog Broken Record Digital Music News Duke Listens Future of Music Coalition Blog Hypebot LA Times Technology Blog The ListeNerd Medialoper Mediashift MP3 Insider Music Ally Music Machinery Music Think Tank MusicTank The Music Void New Music Strategies Online Fandom Pakman's Blog RAIN Rough Type RoughlyDrafted Swindleeeee TuneTuzer Virtual Economics economics/markets: The Big Picture Core Economics Freakonomics The Long Tail Marginal Revolution The Undercover Economist mp3/music: 17 Dots 3hive Fingertips Shake Your Fist Sounds Like the 80s Unleash the Love archives January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 September 2007 October 2007 November 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 July 2008 August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 May 2010 June 2010 July 2010 September 2010 October 2010 November 2010 December 2010 January 2011 February 2011 March 2011 April 2011 May 2011 June 2011 July 2011 August 2011 September 2011 October 2011 November 2011 December 2011 January 2012 February 2012 April 2012 May 2012 June 2012 August 2012 October 2012 November 2012 December 2012 January 2013 February 2013 March 2013 June 2013 August 2013 February 2014 March 2014 September 2014 December 2014 March 2015 October 2015 November 2015 December 2015 October 2016 May 2017 |
June 07, 2011 Some Quick Thoughts On iTunes Matchby David Harrell My question from last week was answered -- by matching any song on a hard drive that's available in the iTunes store, iTunes Match is a game changer. Assuming that Google and Amazon don't add a similar feature, Apple's service will launch with a major advantage over its competitors. However, as Amazon was quick to Tweet yesterday, it appears that iTunes Match won't allow you to download tracks, only stream them. Update: I might be wrong about downloading vs. streaming. I've read several reports that indicate that the iTunes Match/iCloud service will only allow downloading of files to devices, as opposed to true streaming. (And I haven't used the beta version of iTunes in the Cloud yet.) If so, it seems somewhat illogical, as the big advantage of scanning and matching is that it eliminates the need to upload digital music files. To then turn around and require a download to listen to them makes little sense to me. The Apple site is vague, though "all the music iTunes matches plays back at 256-Kbps iTunes Plus quality" seems to imply streaming. Will iTunes Match legitimize/monetize pirated digital music files? At the very least, it introduces a new revenue stream for labels that didn't exist before, allowing them to reap additional revenue for purchased digital tracks, as well as songs ripped from CDs, downloaded as free legal mp3s, or acquired via P2P sharing. How much revenue? The service will cost users $24.99 a year and Apple will share 70% of that amount, $17.50, with labels and publishers. As of late 2010, Apple claimed 160 million iTunes users worldwide. If 10% of those users signed up for iTunes Match, that'd translate into $280 million a year for labels and publishers. That's a lot of money, but it doesn't begin to offset the declines in recorded music sales over the past decade. (Maybe Apple will be able to convert more than 10% of its iTunes user base. Netflix, for example, has 20 million subscribers who are paying substantially more for that service.) How will Apple divide that money and pay it out? It could be based on an individual user's streaming activity, where either a set amount is paid for each song stream or a variable per-stream amount, based on the total number of streams during the month. That is, if a user only streamed one song in a month, the label and publisher for that release would receive the full amount. But it seems like any user-based accounting system would be a bookkeeping nightmare for Apple. My guess is that the subscription fees will be divvied up based on total subscriber behavior, with label and publishers receiving a portion of the iTunes Match subscription fee proportionate to the total activity of each track. One final thought: Steve Jobs has long pooh-poohed the idea of music subscriptions, but maybe Apple is taking some baby steps toward a full-blown subscription service. As described, iTunes Match is essentially a music streaming service that's limited to a maximum of 25,000 tracks stored your iTunes library. At some point, it'd seem logical to allow users to stream the full iTunes catalog (18 million songs) for an additional fee. related: Apple's iCloud Will Scan, But How Much Will It Match? tags: digital music iTunes iTunes Match Apple AAPL music subscriptions link 2 comments e-mail listen to the Layaways on Spotify Follow @digitalaudio Tweet More Digital Audio Insider: Newer Posts Older Posts |
Subscribe: RSS Feed Add this blog to Del.icio.us, Digg, or Furl. Follow David Harrell on Google+. The Digital Audio Insider Twitter feed: Digital music jobs: Looking to hire? Looking for a job? Check out the digital audio insider job board. Popular Posts A Long Tail Experiment By the Numbers: Using Last.fm Statistics to Quantify Audience Devotion Lala.com Owes Me Sixty Cents An Interview with Jonathan Segel of Camper Van Beethoven Price Elasticity of Demand for McCartney Sony and eMusic: What I Missed The Digital Pricing Conundrum series: Part One Part Two Part Three Part Four THE LAYAWAYS Out Now -- "Maybe Next Year" -- The New Holiday Album: "This is a sweet treat, deliciously musical without being overbaked for mass media consumption." -- Hyperbolium "Perfect listening to accompany whatever holiday preparations you may be making today." -- Bag of Songs O Christmas Tree - free mp3 lyrics and song details Away In A Manger - free mp3 Download from eMusic, iTunes, Amazon MP3, or Bandcamp. Listen to free streams at Last.fm. "...about as melodic and hooky as indie pop can get." -- Absolute Powerpop "Their laid-back, '60s era sounds are absolutely delightening." -- 3hive "...melodic, garage-influenced shoegaze." -- RCRD LBL Where The Conversation Ends - free mp3 January - free mp3 Keep It To Yourself - free mp3 Download from eMusic, iTunes, Amazon MP3, or CD Baby, stream it at Last.fm or Napster. "The Layaways make fine indie pop. Hushed vocals interweave with understated buzzing guitars. The whole LP is a revelation from the start." -- Lost Music "Catchy Guided by Voices-like rockers who lay it on sweetly and sincerely, just like Lionel Richie." -- WRUV Radio Silence - free mp3 lyrics and song details The Long Night - free mp3 Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody. "These are songs that you want to take home with you, curl up with, hold them close -- and pray that they are still with you when you wake up." -- The Big Takeover Let Me In - free mp3 Ocean Blue - free mp3 Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody. More Layaways downloads: the layaways website |