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home about/contact Digital Audio Insider is David Harrell's blog about the economics of music and other digital content. I write from the perspective of a musican who has self-released four albums with the indie rock band the Layaways. My personal website has links to my LinkedIn and Google+ pages and you can send e-mail to david [at] thelayaways [dot] com. Support If you enjoy this site, please consider downloading a Layaways track or album from iTunes, Amazon MP3, Bandcamp, or eMusic. CDs are available from CD Baby and Amazon. links music/media/tech: Analog Industries Ars Technica AppleInsider Brad Sucks Blog Broken Record Digital Music News Duke Listens Future of Music Coalition Blog Hypebot LA Times Technology Blog The ListeNerd Medialoper Mediashift MP3 Insider Music Ally Music Machinery Music Think Tank MusicTank The Music Void New Music Strategies Online Fandom Pakman's Blog RAIN Rough Type RoughlyDrafted Swindleeeee TuneTuzer Virtual Economics economics/markets: The Big Picture Core Economics Freakonomics The Long Tail Marginal Revolution The Undercover Economist mp3/music: 17 Dots 3hive Fingertips Shake Your Fist Sounds Like the 80s Unleash the Love archives January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 September 2007 October 2007 November 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 July 2008 August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 May 2010 June 2010 July 2010 September 2010 October 2010 November 2010 December 2010 January 2011 February 2011 March 2011 April 2011 May 2011 June 2011 July 2011 August 2011 September 2011 October 2011 November 2011 December 2011 January 2012 February 2012 April 2012 May 2012 June 2012 August 2012 October 2012 November 2012 December 2012 January 2013 February 2013 March 2013 June 2013 August 2013 February 2014 March 2014 September 2014 December 2014 March 2015 October 2015 November 2015 December 2015 October 2016 May 2017 |
March 10, 2011 Re-ReDigi: More Details Emerge About the Used Digital Music Marketplaceby David Harrell ReDigi, the used digital music marketplace that is planning to launch this summer, has released more details about how the platform will work. I might be misreading it, but this part of the press release makes it sound as if only fingerprinted music files (Amazon MP3 and iTunes now individually watermark all of their downloads) will be eligible for sale: The ReDigi Music Agent uses a sophisticated method of analyzing many aspects of the music file to determine its base eligibility, including identifying the song's digital thumbprint (a proprietary, patent pending, forensic analysis of key details associated with each specific file) and confirming whether the file has been properly acquired from an eligible commercial site. A music file determined to be "unverifiable" or "ineligible for resale" is not necessarily an illegally obtained file; it only means that the origin can't be identified or the source does not qualify.And ReDigi will actually zap the song files from your hard drive and any synced devices: ...acceptable files are then added to the ReDigi music marketplace for re-sale and deleted from the original owner's computer. The files are also removed from any synced devices. ReDigi manages this process for users, so even devices synced over time will be updated with tracks that have posted for sale and sold tracks will be removed. Just like anything else you physically own, once you sell a music file, you no longer have the right to use it. By doing this, ReDigi provides even stronger copyright protection to labels and artists as it proactively removes these files to protect the owner and the appropriate parties.The workarounds to this feature are obvious -- burning tracks to a CD-R before selling them, using a dedicated computer for selling tracks while maintaining the files on another machine, etc. -- though the same can be said for keeping copies of physical CDs that you sell, which also violates a strict "fair use" interpretation of copyright law. The big question here is how music labels (and, perhaps, book publishers and software companies, as there are obvious implications for those industries as well) are going to react to ReDigi's effort to apply the first-sale doctrine to digital content: "The technological development of the ReDigi Music Agent passes copyright and first-sale doctrine tests that have stopped other companies from legally being able to do this previously," says Larry Rudolph, CTO of ReDigi. "If you have bought it, you are allowed to sell it. Also, you are allowed to buy something that someone else legally can sell. ReDigi is the technology used for this transaction. It verifies the legal origin, a seller's right under the first sale doctrine and allows a user to resell a file that is verifiably his or hers to sell."As Rudolph alludes to in the above quote, ReDigi isn't the first attempt at a used digital music marketplace. This 2008 Ars Technica article provides background on the first-sale doctrine and discusses Bopaboo, a previous attempt to give consumers a platform for selling their mp3s. While Bopaboo sought a licensing deal of some sort from music labels, it required the upload of a copy of each music file to its platform, something that legal interpretations of the first-sale doctrine don't provide for. And while the ReDigi approach seeks to ensure that only one version of a music file exists at a time, it can be argued that the version that ends up on ReDigi's servers is indeed a copy of the original purchased file. Personally, I'm all for the application of the first-sale doctrine to digital media. But given that at least one major label group has been extremely litigious over digital music lockers (as in seeking the personal assets of a music locker company CEO), I'll be shocked if the major labels and industry groups don't mount a serious legal challenge. If so, I'd love to see the courts find for ReDigi and extend first-sale protection to digital goods. One final thought: Assuming ReDegi overcomes any legal hurdles or harassment, the platform could actually give music fans an arbitrage opportunity of sorts -- the ability turn a profit on some digital files. That is, if you legally obtain "daily special" albums from Amazon MP3 (or the various freebie mp3s that Amazon offers), you might be able to sell them later for a higher price after the promotion is over and the tracks revert to their standard prices. Related: A Marketplace for Used Digital Music? tags: digital music ReDigi used digital music first-sale doctrine copyright link 0 comments e-mail listen to the Layaways on Spotify Follow @digitalaudio Tweet More Digital Audio Insider: Newer Posts Older Posts |
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