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home about/contact Digital Audio Insider is David Harrell's blog about the economics of music and other digital content. I write from the perspective of a musican who has self-released four albums with the indie rock band the Layaways. My personal website has links to my LinkedIn and Google+ pages and you can send e-mail to david [at] thelayaways [dot] com. Support If you enjoy this site, please consider downloading a Layaways track or album from iTunes, Amazon MP3, Bandcamp, or eMusic. CDs are available from CD Baby and Amazon. links music/media/tech: Analog Industries Ars Technica AppleInsider Brad Sucks Blog Broken Record Digital Music News Duke Listens Future of Music Coalition Blog Hypebot LA Times Technology Blog The ListeNerd Medialoper Mediashift MP3 Insider Music Ally Music Machinery Music Think Tank MusicTank The Music Void New Music Strategies Online Fandom Pakman's Blog RAIN Rough Type RoughlyDrafted Swindleeeee TuneTuzer Virtual Economics economics/markets: The Big Picture Core Economics Freakonomics The Long Tail Marginal Revolution The Undercover Economist mp3/music: 17 Dots 3hive Fingertips Shake Your Fist Sounds Like the 80s Unleash the Love archives January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 September 2007 October 2007 November 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 July 2008 August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 May 2010 June 2010 July 2010 September 2010 October 2010 November 2010 December 2010 January 2011 February 2011 March 2011 April 2011 May 2011 June 2011 July 2011 August 2011 September 2011 October 2011 November 2011 December 2011 January 2012 February 2012 April 2012 May 2012 June 2012 August 2012 October 2012 November 2012 December 2012 January 2013 February 2013 March 2013 June 2013 August 2013 February 2014 March 2014 September 2014 December 2014 March 2015 October 2015 November 2015 December 2015 October 2016 May 2017 |
November 24, 2008 Last.fm Artist Royalty Detailsby David Harrell A disclaimer: Although I often write about how much money my band receives from various digital retailers and subscription services, I sincerely hope it doesn't come off as tacky or an obsession with my music "income." The actual dollar amount is usually small enough that it's an academic discussion at best. Our first statement from Last.fm's artist royalty program definitely falls into the "interesting numbers but not a significant amount" category: For the third quarter of 2008, we received less than one dollar. However, we're only collecting "on demand" royalties directly from Last.fm for a three-song Christmas EP, which was definitely out of season during the second quarter of the year. CD Baby delivered our first two albums to Last.fm, so any on demand royalties for those tracks will appear in our CD Baby account. While CD Baby takes 9% cut from those royalties, it reportedly negotiated a higher royalty rate, enough so that artists will receive more that they would directly from Last.fm. (I'll post those details as soon as I see them.) Last.fm pays royalties for two types of online plays -- on demand plays of individual tracks and a digital performance royalty for radio plays. The latter is the royalty collected (in the U.S.) by SoundExchange, so it's only paid directly to artists who haven't signed up with SoundExchange. Plays by Last.fm members of their own digital files or CDs are included in the totals plays for each artist, but they obviously don't result in any royalty income. Here's what the numbers looked like for our third quarter report: Free on demand: 0.5 cents per streamThe details: On-demand plays: Last.fm pays out separate rates for free on-demand plays and premium on-demand plays (by subscribers). Last.fm's FAQs stipulates a payment of 30% of net ad revenue for each free on-demand play. We received 1/2 a cent for each play, which implies that Last.fm is receiving 1.67 cents in net ad revenue per play, though there's no way to be certain if that's the actual amount. Last.fm could be paying more than 30% to boost the artist payout level, if it believed that 30% of the actual ad revenue was an insufficient amount to keep artists/labels in the program. There were no premium on-demand plays for us in this statement. (We actually received the stipulated payment for premium on-demand plays for our free on-demand plays, so maybe Last.fm is using that amount as a minimum payout rate...) Radio plays are paid at two levels -- premium radio (paid Last.fm subscribers) and free: Premium radio: Last.fm promises the greater of 10% of net ad revenue or 1/20th of a cent for each premium radio play. We received 1/10th of a cent for each premium radio play, which would translate into net ad revenue equal to one cent for each radio play. Regular radio: For our free radio plays, we received .057 cents per play -- a little more than 1/20 of a cent. Last.fm promises a 30% cut of the net ad revenue for these plays, implying net ad revenue of .19 cent per track. Again, though, it's certainly possible that Last.fm chose to pay out more than the required minimums. tags: digital music Last.fm artist royalties CD Baby SoundExchange link 1 comments e-mail listen to the Layaways on Spotify Follow @digitalaudio Tweet More Digital Audio Insider: Newer Posts Older Posts |
Subscribe: RSS Feed Add this blog to Del.icio.us, Digg, or Furl. Follow David Harrell on Google+. The Digital Audio Insider Twitter feed: Digital music jobs: Looking to hire? Looking for a job? Check out the digital audio insider job board. Popular Posts A Long Tail Experiment By the Numbers: Using Last.fm Statistics to Quantify Audience Devotion Lala.com Owes Me Sixty Cents An Interview with Jonathan Segel of Camper Van Beethoven Price Elasticity of Demand for McCartney Sony and eMusic: What I Missed The Digital Pricing Conundrum series: Part One Part Two Part Three Part Four THE LAYAWAYS Out Now -- "Maybe Next Year" -- The New Holiday Album: "This is a sweet treat, deliciously musical without being overbaked for mass media consumption." -- Hyperbolium "Perfect listening to accompany whatever holiday preparations you may be making today." -- Bag of Songs O Christmas Tree - free mp3 lyrics and song details Away In A Manger - free mp3 Download from eMusic, iTunes, Amazon MP3, or Bandcamp. Listen to free streams at Last.fm. "...about as melodic and hooky as indie pop can get." -- Absolute Powerpop "Their laid-back, '60s era sounds are absolutely delightening." -- 3hive "...melodic, garage-influenced shoegaze." -- RCRD LBL Where The Conversation Ends - free mp3 January - free mp3 Keep It To Yourself - free mp3 Download from eMusic, iTunes, Amazon MP3, or CD Baby, stream it at Last.fm or Napster. "The Layaways make fine indie pop. Hushed vocals interweave with understated buzzing guitars. The whole LP is a revelation from the start." -- Lost Music "Catchy Guided by Voices-like rockers who lay it on sweetly and sincerely, just like Lionel Richie." -- WRUV Radio Silence - free mp3 lyrics and song details The Long Night - free mp3 Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody. "These are songs that you want to take home with you, curl up with, hold them close -- and pray that they are still with you when you wake up." -- The Big Takeover Let Me In - free mp3 Ocean Blue - free mp3 Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody. More Layaways downloads: the layaways website |