Digital Audio Insider -- blogging the economics of digital music

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September 18, 2008

Checking Out Bandcamp
by David Harrell

David Rose of Know the Music Biz recently made the case for musicians selling downloads directly from their own websites, instead of sending listeners off to iTunes, Amazon.com, etc. While my guess is that most consumers prefer to buy from a download store -- if I want to buy something I've discovered, my first impulse is to check eMusic, then Amazon.com MP3 if eMusic doesn't have it -- there's certainly no downside to doing so. Without direct sales, maybe you're missing out on some impulse purchases.

The new Layaways album is tentatively scheduled for an October 28th release. And while we're planning to offer free digital tracks (in addition to selling CDs and digital downloads in the usual places), given that "it can't hurt," I've been thinking about ways to offer direct sales. Bandcamp, which got a very positive mention from Hypebot yesterday (also see this Waxy.org interview with founder Ethan Diamond), seems like it might be an easy way to facilitate online sales.

I spent some time with it yesterday -- here's my quick take:

There's a lot to like about Bandcamp, as well as a couple things that are somewhat disappointing, though the Bandcamp folks can't be faulted for one of them.

Pro:

Great design and interface -- it's definitely one of the better looking music download sites. And the musician has complete control over the details on the album and track pages -- credits, images, lyrics, etc.

Fast -- your tracks are available for sale almost immediately after uploading. If you wanted to, you could be selling live tracks just minutes after finishing a gig.

Very flexible download/file options. Users just upload a single WAV or AIFF file for each song, Bandcamp then handles all conversions to various file formats -- 128k mp3, 320k mp3, AAC, Ogg Vorbis, FLAC, etc., and takes care of all of the ID tagging. You can decide what to offer as a free download and set the selling price for paid downloads.

East viral sharing -- anyone can create code for adding a track/album widget to social networking sites or web pages:

Responsive team -- the site was a little sluggish and I was having trouble uploading a music file. But I received an e-mail response to my help request within half an hour.

Con:

A small quibble, but as far as I can tell, there's no option for setting different prices for different file formats, other than giving away 128k mp3s and charging for other file formats. That is, you can't set one price for mp3 downloads and a higher price for lossless files.

It's not on your site! One thing that Bandcamp touts is search engine optimization -- that your Bandcamp pages will show up as the first result when a music fan does a band name/song title search. But it seems like you're essentially handing your Google ranking over to Bandcamp. My strong preference would be the ability to have the entire Bandcamp sales platform on my own site, as opposed to linking. Though that might not work with the...

...business model, which isn't finalized yet. For now, Bandcamp is free (hard to complain about that!), but there's no guarantee as to what future fees might be, though the FAQ says that any cut of digital sales would be limited to 15%. If all of the Bandcamp functionality worked within an embedded widget or was completely "behind the scenes," it would obviously limit the possible revenue models.

But what really dampened my initial enthusiasm for Bandcamp are the PayPal fees for each transaction. One of the first things I noticed when setting up a track is that the minimum price for an individual track is 50 cents, which pretty much rules out "eMusic prices" for individual tracks. I soon learned why -- the PayPal transaction fees are 30 cents per transaction plus 1.9% to 2.9% of the purchase price. At standard iTunes pricing (99-cent tracks, $9.99 albums), that works out to around 33 cents for a track and 60 cents per album.

Hence, there's not much of a financial advantage to selling a 99-cent download via Bandcamp versus a 99-cent sale via iTunes or Amazon.com. However, for album sales, a $9.99 sale would net a self-released artist a couple bucks more than an iTunes or Amazon.com MP3 transaction.

Despite the above misgivings, my initial impression is that Bandcamp mostly got everything right, and the PayPal fees aren't something they can control. I just wish there was a workaround of some sort to keep the transaction fees low enough to offer more flexibility for single-song prices.

tags: digital music download sales Bandcamp PayPal

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The Layaways (my band)

New album: "The Space Between" is now available from eMusic.

"It can't be easy to make something this basically simple sound so fulfilling; it if were, everyone would do it." -- Fingertips

"The Layaways have a unique sound with great drum fills and airy vocals that will make you tap your feet and sing along." -- VIC Radio

Keep It to Yourself - free mp3
All Around the World - free mp3
Come Back Home - free mp3

Download from eMusic, iTunes, Amazon MP3, Lala.com, or CD Baby, listen to free streams at Last.fm and Napster.

"The Layaways make fine indie pop. Hushed vocals interweave with understated buzzing guitars. The whole LP is a revelation from the start." -- Lost Music

"A wonderfully crafted recording built around tasteful songwriting and musicianship..." -- PopMatters

Silence - free mp3
The Long Night - free mp3

Download from eMusic, Amazon MP3, or iTunes, listen to free streams at Last.fm, Napster, or Rhapsody.

"These are songs that you want to take home with you, curl up with, hold them close -- and pray that they are still with you when you wake up." -- The Big Takeover

Let Me In - free mp3
Ocean Blue - free mp3

Download from eMusic, Amazon MP3, or iTunes, listen to free streams at Last.fm, Napster, or Rhapsody.

More Layaways downloads:

the layaways website

Current/Recent Reading and Listening:

Music Supervision: The Complete Guide to Selecting Music for Movies, TV, Games and New Media by Ramsay Adams, David Hnatiuk, and David Weiss

It's written as a how-to guide for those looking to become music supervisors, but I found it to be a good resource for musicians (like me) who are trying to get their music used in movies, TV, etc.