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July 24, 2008

Giving It Away: A Call for Ideas
by David Harrell
After many delays and a couple mini-catastrophes -- we literally lost the ProTools files for the mixes of three songs (don't ask...) and a camping accident temporarily sidelined our drummer -- the third Layaways album is nearing completion. We've set a mastering date for early September and the album will be out sometime in October.

As discussed in this post from last year, while it will be available on CD and from all of the major digital retailers, we also want to give it away in some form. The question is -- how should we do it? Or, more specifically, is there something an unknown, self-released indie rock act can do beyond posting some free mp3 files and hoping for the best, in terms of attention and web traffic?

Alternative pricing strategies get the best results when they're used by acts that are already relatively well known: Radiohead's "pay want you want" experiment received the attention it did not because the idea was new (it wasn't), but because one of the biggest, best-known acts in the world embraced it. Pricing the new Paul Westerberg "album" for 49 cents was a brilliant idea (it's now sitting at the top of the Amazon.com mp3 album chart) because it's a Paul Westerberg album for 49 cents. And Harvey Danger received a fair amount of attention for its album giveaway in 2005, but they're a former major-label band that had a decent-sized radio hit in 1998.

Given the ubiquity of free music these days (full albums and individual tracks, both authorized and unauthorized), it seems that music acts at all levels are vying less for the dollars of listeners than for their time and attention. Every "free" or "pay want you want" music release simply adds to that competition and -- with the novelty factor declining -- free alone is less likely to attract attention, especially for unknown acts. Still, while it's doubtful that our decision to give away an mp3 album will generate much buzz, I can't think of any major downsides to doing so.

Here are a few of the approaches we're considering:
All 12 tracks are available for free download, from day one and forever.

A 12-week campaign where only one track at a time is available for download, similar to the promotion for the upcoming release by the Pretenders.

The "get it while you can" approach -- the entire album is available in week one, then one fewer song is available in each subsequent week until we're down to just one free song.
The other question is whether or not to require registration or an e-mail address before letting folks download tracks. My inclination is skip registration -- if the idea is to get as many listeners as possible, why put up any barriers?

If you have any additional suggestions, comments are open and all ideas are welcome. Not just for my band, but any thoughts relating to the merits of giving it away for artists at every level of the music industry food chain.

Is offering free music -- alone or with options to purchase -- a viable promotional strategy, the new norm for the industry, or just an economically-unsustainable gimmick with diminishing future returns? Please chime in...

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    Let Me In - free mp3
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    Download from eMusic, Amazon MP3, or iTunes, listen to free streams at Last.fm, Napster, or Rhapsody.

    More Layaways downloads:

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    Current/Recent Reading and Listening:

    Music Supervision
    Music Supervision: The Complete Guide to Selecting Music for Movies, TV, Games and New Media by Ramsay Adams, David Hnatiuk, and David Weiss

    It's written as a how-to guide for those looking to become music supervisors, but I found it to be a good resource for musicians (like me) who are trying to get their music used in movies, TV, etc.