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home about/contact Digital Audio Insider is David Harrell's blog about the economics of music and other digital content. I write from the perspective of a musican who has self-released four albums with the indie rock band the Layaways. My personal website has links to my LinkedIn and Google+ pages and you can send e-mail to david [at] thelayaways [dot] com. Support If you enjoy this site, please consider downloading a Layaways track or album from iTunes, Amazon MP3, Bandcamp, or eMusic. CDs are available from CD Baby and Amazon. links music/media/tech: Analog Industries Ars Technica AppleInsider Brad Sucks Blog Broken Record Digital Music News Duke Listens Future of Music Coalition Blog Hypebot LA Times Technology Blog The ListeNerd Medialoper Mediashift MP3 Insider Music Ally Music Machinery Music Think Tank MusicTank The Music Void New Music Strategies Online Fandom Pakman's Blog RAIN Rough Type RoughlyDrafted Swindleeeee TuneTuzer Virtual Economics economics/markets: The Big Picture Core Economics Freakonomics The Long Tail Marginal Revolution The Undercover Economist mp3/music: 17 Dots 3hive Fingertips Shake Your Fist Sounds Like the 80s Unleash the Love archives January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 September 2007 October 2007 November 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 July 2008 August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 May 2010 June 2010 July 2010 September 2010 October 2010 November 2010 December 2010 January 2011 February 2011 March 2011 April 2011 May 2011 June 2011 July 2011 August 2011 September 2011 October 2011 November 2011 December 2011 January 2012 February 2012 April 2012 May 2012 June 2012 August 2012 October 2012 November 2012 December 2012 January 2013 February 2013 March 2013 June 2013 August 2013 February 2014 March 2014 September 2014 December 2014 March 2015 October 2015 November 2015 December 2015 October 2016 May 2017 |
June 20, 2007 Not So Keen on Andrew Keenby David Harrell I suppose it isn't fair to review a book that I haven't yet read. Still, I'm absolutely dumbfounded by the basic premise of Andrew Keen in his new book, The Cult of the Amateur, How Today's Internet is Killing Our Culture, at least as it relates to popular music. In this short NPR interview, Keen professes to prefer the "wisdom of the professional" when it comes to his cultural content. When asked about popular music (around 3:10 in the interview), he supports his argument with the inane statement that the "the kind of musicians and indeed artists who are going to make on the Web are people who are skilled in sales and marketing. They're not necessarily the people who are most able." Maybe so, but Keen seems to be missing something: That's the case for the ENTIRE music industry, not just online amateurs. Musical talent alone does not guarantee success and it never has -- at least not in popular music. Most successful pop musicians are talented, but they're not necessarily the most gifted ones within any given genre. Marketing muscle, fads, luck, and personal drive and perseverance all play a huge role. And the gatekeepers that Keen prefers to trust are -- as a group -- more concerned with increasing sales and market share, not bestowing the "best" music and artists on the public. Besides, while Keen laments the "rise of the amateur" it's really "return of the amateur." That is, before the advent of recorded music and radio, if you wanted music in your house you pretty much had to play it yourself. Today, it's hard to get an audible version of "Happy Birthday" going at a party, as most people are reluctant to sing in public. So anything that encourages the average person to perform and/or write music is a positive development, in my opinion. Granted, the big difference is that today's amateurs aren't confined to their own homes -- they're broadcasting themselves to the world via MySpace, YouTube, and other online platforms. And I'll concede that lowered barriers to entry have resulted in the existence of more godawful music than ever before. (The increasing problem of "too much music" is something I wrote about last year for Shake Your Fist.) But if that's the price we have to pay the increased quantities of good music -- from artists that you never could have discovered prior to the emergence of the Internet -- I think it's a good trade-off. Lawrence Lessig basically rips Keen a new one in his blog post about the book, and concludes with a great 1906 quote from the composer John Phillip Sousa, who was quite prescient about the decline of amateur music making: "...it will be simply a question of time when the amateur disappears entirely. The tide of amateurism cannot but recede, until there will be left only the mechanical device and the professional executant."tags: digital music amateur Andrew Keen popular music link 1 comments e-mail listen to the Layaways on Spotify Follow @digitalaudio Tweet More Digital Audio Insider: Newer Posts Older Posts |
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