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May 15, 2006

Download Arbitrage with eMusic
by David Harrell
Download Arbitrage with eMusic
There's an arbitrage opportunity available to eMusic subscribers, albeit one that violates the subscription agreement (and is probably illegal to boot). After a lunchtime conversation with co-workers that concluded with memories of a bad cover band with a repertoire of exactly three songs, my friend Randy remarked that he would like to download one third of the band's set -- "The Girl From Ipanema" as sung by Astrud Gilberto on the Getz/Gilberto album.

I told him the track was probably available from eMusic. Randy, who just canceled his eMusic subscription, then speculated that I probably had a few unused downloads for the month that I might be willing to, uh, share. No problem, I said, provided he was willing to pay a slight markup over my cost...

In theory, a 40-downloads-a-month eMusic subscriber is paying just under 25 cents a track, so selling one of those downloads to a non-subscriber for 75 cents yields a healthy return. For the buyer, it's cheaper than a single download from iTunes, plus the eMusic download is an mp3 that can be played on virtually any portable player, with no DRM to hamper the file. And you can get your eMusic cost-per-track down to around 22 cents by opting for a 90-a-month plan or pre-paying for a year with eMusic.

I'd bet there are at least a few folks out there who are informally "sharing" an eMusic subscription with a friend, though I doubt anyone's gone so far as to follow the plan outlined above. If you want really cheap downloads you've always got the option of the different file sharing systems and it seems like a lot of hassle to make a half a buck a song by setting up your own download service to sell tracks to your friends.

Still, this scheme would give artists and record companies the same revenue they're currently receiving via eMusic sales and it would provide customers who might want the occasional eMusic track access to service without having to pay for an ongoing subscription. And unlike an all-you-can-eat restaurant, where the restaurant's bottom line would be destroyed by diners "sharing" a meal, from an accounting standpoint eMusic is indifferent to whether or not a subscriber maxes out each month. That's because eMusic pays a set percentage of its subscription revenue each month, so the amount paid to record companies artists is the same no matter now many tracks each subscriber downloads in a given month. (More details here.) Though it would hurt the bottom line of everyone involved if it ultimately resulted in fewer eMusic subscriptions.

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