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home about/contact Digital Audio Insider is David Harrell's blog about the economics of music and other digital content. I write from the perspective of a musican who has self-released four albums with the indie rock band the Layaways. My personal website has links to my LinkedIn and Google+ pages and you can send e-mail to david [at] thelayaways [dot] com. Support If you enjoy this site, please consider downloading a Layaways track or album from iTunes, Amazon MP3, Bandcamp, or eMusic. CDs are available from CD Baby and Amazon. links music/media/tech: Analog Industries Ars Technica AppleInsider Brad Sucks Blog Broken Record Digital Music News Duke Listens Future of Music Coalition Blog Hypebot LA Times Technology Blog The ListeNerd Medialoper Mediashift MP3 Insider Music Ally Music Machinery Music Think Tank MusicTank The Music Void New Music Strategies Online Fandom Pakman's Blog RAIN Rough Type RoughlyDrafted Swindleeeee TuneTuzer Virtual Economics economics/markets: The Big Picture Core Economics Freakonomics The Long Tail Marginal Revolution The Undercover Economist mp3/music: 17 Dots 3hive Fingertips Shake Your Fist Sounds Like the 80s Unleash the Love archives January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 September 2007 October 2007 November 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 July 2008 August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 May 2010 June 2010 July 2010 September 2010 October 2010 November 2010 December 2010 January 2011 February 2011 March 2011 April 2011 May 2011 June 2011 July 2011 August 2011 September 2011 October 2011 November 2011 December 2011 January 2012 February 2012 April 2012 May 2012 June 2012 August 2012 October 2012 November 2012 December 2012 January 2013 February 2013 March 2013 June 2013 August 2013 February 2014 March 2014 September 2014 December 2014 March 2015 October 2015 November 2015 December 2015 October 2016 May 2017 |
October 28, 2010 Thursday Odds and Ends: iTunes Selling Free Songs for 69 Centsby David Harrell The homepage of Apple's iTunes store has an "Indie Spotlight," a playlist of nine songs selling for 69 cents each. Some quick Google searches revealed that the first five tracks are all songs the respective artists and record companies are already giving away online. The Sufjan Stevens track is a freebie at his Bandcamp page, songs from Wild Nothing and Deerhunter are authorized free downloads at Pitchfork, a Blonde Redhead track was given to Fader, and a Kitten song appears to be another label-authorized music blog giveaway. I stopped searching there, but that's a five-for-five for the first five songs. Update: I realize, of course, that iTunes, Amazon MP3, eMusic, and other digital retailers all sell tracks that artists/labels are giving away. And even when artists offer a free mp3, they still might hope that fans will support them by buying the same song. But what struck me here was the fact that Apple is promoting a "discounted" playlist (on the first page of the iTunes store!) that is mostly composed of promo/giveaway tracks. Do people use a minor third to convey sadness when speaking? (Thanks Laura!) An eMusic subscriber also wonders about the psychology of song credits versus dollars and cents. (My recent post about it.) Finally, if you only know the Church from their 1988 hit "Under the Milky Way," check out "The Unguarded Moment," a classic early 80s single from the band. It's currently available as a free download from Amazon MP3. tags: digital music iTunes Apple AAPL selling free music eMusic the Church the Unguarded Moment 1981 link 3 comments e-mail listen to the Layaways on Spotify Follow @digitalaudio Tweet October 18, 2010 MySpace Still Rules Google Search Results for Music Actsby David Harrell Facebook and Twitter are both more popular than MySpace, but based on my informal study, MySpace still rules when it comes to Google search results for music acts. Last.fm is also favored by Google searches. Given that it's pretty much dormant (and we never did much with it in the first place), I'm always surprised to see our MySpace page show up as one of the top three results whenever I do a vanity Google search for my band. I was curious to see the Google rank for the MySpace pages of well-known artists and conducted a quick search experiment last week. It wasn't exhaustive -- I just started with some of the bigger "indie rock" names of the past decade and threw in a handful of classic rock acts as well. Also, for band names of more than one word, I didn't put quote marks around the full name, I just typed the band name and hit return, figuring that's what most people would do when conducting a search. For most of the acts, the Google Music Search player appears at the top of the results (no surprise there). And in almost every case, the band's MySpace page was one of the top five search results. Of the 10 other artists I conducted searches for, Led Zeppelin was the only one where a MySpace page wasn't one of the top 10 search results. Facebook only made two top-10 appearances (one of which was a search for my own band), though it was in the 11th or 12th spot for several acts. Last.fm made a surprisingly strong appearance and was a top-10 result for almost every artist. Some artists (or their labels) are very active on MySpace, of course, so you'd expect to see their respective MySpace pages as top search results. But MySpace also has the substantial advantage of having been around longer than Facebook, Twitter, etc., and online articles and blogs posts have linked to MySpace pages for years. Incoming links figure highly into Google's PageRank calculations, so even if some artists are transitioning their social networking efforts to other sites, MySpace seems likely to remain at the top of Google search results for the foreseeable future. And Apple's new Ping network (I'll be writing more about it soon), seems unlikely to become a top search result, unless iTunes is transitioned to a browser-based platform. Below are the top 10 search results as of Friday, October 15, 2010. Click on the artist names to see the full search results: Arcade Fire
link 1 comments e-mail listen to the Layaways on Spotify Follow @digitalaudio Tweet October 13, 2010 The New eMusic: The Psychology of Dollars vs. Creditsby David Harrell Until the eMusic changes go live next month, it's difficult to speculate exactly what the addition of the Universal catalog and a shift from credits to dollar amounts for purchases will mean. And at this point, I have no idea if eMusic's current business model of sharing 60% of subscriber revenue will persist, or if the company is switching to the iTunes/Amazon model, where it pays labels a wholesale price for each track sold and pockets the mark-up. As I've written here before, under the current model, labels and artists benefit from the digital breakage that occurs when eMusic subscribers let their credits expire unused. (Subscription plans are "use it or lose it," there is no carryover feature.) In the past, the per-track payout from eMusic to labels has often approached or exceeded the nominal per-track price that the subscription plans suggest. That is, because eMusic subscribers collectively fail to use all of their allotted downloads, when the 60% of revenue amount is divided by the total number of downloaded tracks within a payout period, the resulting payout amount is much larger than the subscription plan packages would suggest. Based on previous payouts that I've seen for my own music in the eMusic catalog, it appears that breakage rates are as high as 40% to 50%. But with a switch to per-track pricing, I'm wondering if those rates will decline. It's one thing to let your "credits" expire each month. (I've certainly done so, consoling myself that in--a very small way--I'm helping to boost the payout rate I'll see for my music.) The new eMusic interface, however, won't display your remaining credits, it'll show your remaining dollars for the period. And my guess is that subscribers will be more reluctant to lose their money than their credits, even if it means the exact same thing in practice. While the new system will feature a "loose change" component where small amounts (less than the price of single download) will roll over, if you have a balance of $12.99 at the end of the month, you'll lose it all. It seems likely that eMusic subscribers will find dollar amounts more dear than credits. related: More On eMusic Payouts, eMusic's Per-Song Payout for Q1 2010 tags: digital music eMusic music subscriptions link 0 comments e-mail listen to the Layaways on Spotify Follow @digitalaudio Tweet More Digital Audio Insider: Newer Posts Older Posts |
Subscribe: RSS Feed Add this blog to Del.icio.us, Digg, or Furl. Follow David Harrell on Google+. The Digital Audio Insider Twitter feed: Digital music jobs: Looking to hire? Looking for a job? Check out the digital audio insider job board. Popular Posts A Long Tail Experiment By the Numbers: Using Last.fm Statistics to Quantify Audience Devotion Lala.com Owes Me Sixty Cents An Interview with Jonathan Segel of Camper Van Beethoven Price Elasticity of Demand for McCartney Sony and eMusic: What I Missed The Digital Pricing Conundrum series: Part One Part Two Part Three Part Four THE LAYAWAYS Out Now -- "Maybe Next Year" -- The New Holiday Album: "This is a sweet treat, deliciously musical without being overbaked for mass media consumption." -- Hyperbolium "Perfect listening to accompany whatever holiday preparations you may be making today." -- Bag of Songs O Christmas Tree - free mp3 lyrics and song details Away In A Manger - free mp3 Download from eMusic, iTunes, Amazon MP3, or Bandcamp. Listen to free streams at Last.fm. "...about as melodic and hooky as indie pop can get." -- Absolute Powerpop "Their laid-back, '60s era sounds are absolutely delightening." -- 3hive "...melodic, garage-influenced shoegaze." -- RCRD LBL Where The Conversation Ends - free mp3 January - free mp3 Keep It To Yourself - free mp3 Download from eMusic, iTunes, Amazon MP3, or CD Baby, stream it at Last.fm or Napster. "The Layaways make fine indie pop. Hushed vocals interweave with understated buzzing guitars. The whole LP is a revelation from the start." -- Lost Music "Catchy Guided by Voices-like rockers who lay it on sweetly and sincerely, just like Lionel Richie." -- WRUV Radio Silence - free mp3 lyrics and song details The Long Night - free mp3 Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody. "These are songs that you want to take home with you, curl up with, hold them close -- and pray that they are still with you when you wake up." -- The Big Takeover Let Me In - free mp3 Ocean Blue - free mp3 Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody. More Layaways downloads: the layaways website |