Digital Audio Insider -- the economics of music and other digital content


  digital audio insider

home

about/contact
Digital Audio Insider is David Harrell's blog about the economics of music and other digital content. I write from the perspective of a musican who has self-released four albums with the indie rock band the Layaways.

My personal website has links to my LinkedIn and Google+ pages and you can send e-mail to david [at] thelayaways [dot] com.

Support
If you enjoy this site, please consider downloading a Layaways track or album from iTunes, Amazon MP3, Bandcamp, or eMusic. CDs are available from CD Baby and Amazon.

links

music/media/tech:
Analog Industries
Ars Technica
AppleInsider
Brad Sucks Blog
Broken Record
Digital Music News
Duke Listens
Future of Music Coalition Blog
Hypebot
LA Times Technology Blog
The ListeNerd
Medialoper
Mediashift
MP3 Insider
Music Ally
Music Machinery
Music Think Tank
MusicTank
The Music Void
New Music Strategies
Online Fandom
Pakman's Blog
RAIN
Rough Type
RoughlyDrafted
Swindleeeee
TuneTuzer
Virtual Economics

economics/markets:
The Big Picture
Core Economics
Freakonomics
The Long Tail
Marginal Revolution
The Undercover Economist

mp3/music:
17 Dots
3hive
Fingertips
Shake Your Fist
Sounds Like the 80s
Unleash the Love

archives
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009
November 2009
December 2009
January 2010
February 2010
March 2010
April 2010
May 2010
June 2010
July 2010
September 2010
October 2010
November 2010
December 2010
January 2011
February 2011
March 2011
April 2011
May 2011
June 2011
July 2011
August 2011
September 2011
October 2011
November 2011
December 2011
January 2012
February 2012
April 2012
May 2012
June 2012
August 2012
October 2012
November 2012
December 2012
January 2013
February 2013
March 2013
June 2013
August 2013
February 2014
March 2014
September 2014

September 26, 2011

Monday Odds and Ends: Beatles Edition
by David Harrell
I'm a life-long Beatles fan, but this bit from Peter Doggett's "You Never Give Me Your Money" was news to me:
In a strange precursor of the 'Home taping is killing music' campaign of the 1980s and the 21st century concern about illegal downloads, Lennon and McCartney feared that record sales would suffer if the newly devised cassette tape recorder went into mass circulation. Mardas developed an electronic signal that could be added to recorded sound to prevent it being copied. 'It seemed quite possible,' noted commentator Tony Palmer in 1969, 'that within a few years, every single record sold anywhere in the world would carry this device, and thus pay to the Beatles a royalty.'
The Wall Street Journal collects some negative quotes about the band, from "10 Ways to Recycle a Corpse" by Karl Shaw.

And nearly one year after the introduction of Beatles music to the iTunes catalog, George Harrison's "Here Comes the Sun" remains the top-selling digital Beatles track. Harrison compositions also account for three of the top-12 tracks on the group's Last.fm listener chart. As a composer, Harrison famously had to fight for space on Beatles albums -- I wonder if the emergence of this type of data has altered the internal dynamics of modern bands with multiple songwriters. It not just ego or the struggle for artistic expression -- songwriting and performance royalties (the latter are paid only to the composer and publisher for terrestrial radio play in the U.S.) often dwarf those from music sales and can result in huge income disparities among band members.

tags:

link 0 comments e-mail listen to the Layaways on Spotify




September 06, 2011

Tuesday Odds and Ends: Unlimited Cloud Music Storage from Amazon
by David Harrell
I opened my Amazon Cloud Player for the first time in a while and noticed that Amazon has quietly (no press release, I believe) upped the storage limits for mp3 and AAC music files, perhaps in an anticipation of the release of Apple's iTunes Match. All paid Amazon Cloud storage plans now include unlimited space for music files:

Amazon Cloud storage limits for music
BTW, my "$20 a year" subscription was a freebie upgrade after purchasing a $2.99 album from Amazon MP3. Cloud storage isn't free, but if anyone can afford to give it away, it's Amazon.

From a Billboard interview -- why Lindsey Buckingham opted to self-release his new album:
How did you go from lifelong major-label artist to self-releasing Seeds We Sow?

My deal with Warner Bros. had expired. Trying to shop this album was kind of like starting over. I actually started [shopping] with Warner Bros. [chairman] Rob Cavallo, who is a friend of mine and is in this new position over there. Rob liked it a lot, and then he had to go back and deal with the people in Burbank [Calif.], and when I talked to him on the phone, he started talking about the numbers he had to make quarterly, and I thought, "Well, that's the end of that." I did talk to a few independent labels and finally decided that what they were doing was something I could probably just as easily do myself.
Finally, I haven't digested the entire piece, but the following paragraph was excerpted on Andrew Sullivan's blog and it got me thinking about ego gratification and self-released musicians:
I'm astonished at how readily a great many people I know, young people, have accepted a reduced economic prospect and limited freedoms in any substantial sense, and basically traded them for being able to screw around online. There are just a lot of people who feel that being able to get their video or their tweet seen by somebody once in a while gets them enough ego gratification that it's okay with them to still be living with their parents in their 30s.
Without the new forms of gratification that the Internet has enabled for musicians -- music blog posts and reviews, Last.fm listening stats, etc. -- would we see much less self-released music? It's not the primary reason I record and release music, but there is a level of feedback/audience reach available today that was unimaginable a decade or so ago, and it's a "payment" of sorts for your efforts. Back in the day, a self-released album could easily disappear without a trace. Today, you can at least count on a minimal amount of online attention, even if sales are minimal.

tags:

link 2 comments e-mail listen to the Layaways on Spotify




More Digital Audio Insider: Newer Posts Older Posts



Subscribe:   RSS Feed



Add this blog to Del.icio.us, Digg, or Furl. Follow David Harrell on Google+.





The Digital Audio Insider Twitter feed:

    Digital music jobs: Looking to hire? Looking for a job? Check out the digital audio insider job board.



    Popular Posts

    A Long Tail Experiment
    By the Numbers: Using Last.fm Statistics to Quantify Audience Devotion
    Lala.com Owes Me Sixty Cents
    An Interview with Jonathan Segel of Camper Van Beethoven
    Price Elasticity of Demand for McCartney
    Sony and eMusic: What I Missed

    The Digital Pricing Conundrum series:
    Part One Part Two Part Three Part Four





    THE LAYAWAYS

    Out Now -- "Maybe Next Year" -- The New Holiday Album:

    <a href="http://thelayaways.bandcamp.com/album/maybe-next-year">Joy To The World by The Layaways</a>

    "This is a sweet treat, deliciously musical without being overbaked for mass media consumption." -- Hyperbolium

    "Perfect listening to accompany whatever holiday preparations you may be making today." -- Bag of Songs


    O Christmas Tree - free mp3 lyrics and song details
    Away In A Manger - free mp3

    Download from eMusic, iTunes, Amazon MP3, or Bandcamp. Listen to free streams at Last.fm.



    album cover art from The Space Between

    <a href="http://thelayaways.bandcamp.com/album/the-space-between">Keep It To Yourself by The Layaways</a>

    "...about as melodic and hooky as indie pop can get." -- Absolute Powerpop

    "Their laid-back, '60s era sounds are absolutely delightening." -- 3hive

    "...melodic, garage-influenced shoegaze." -- RCRD LBL

    Where The Conversation Ends - free mp3
    January - free mp3
    Keep It To Yourself - free mp3

    Download from eMusic, iTunes, Amazon MP3, or CD Baby, stream it at Last.fm or Napster.



    album cover art from We've Been Lost

    <a href="http://thelayaways.bandcamp.com/album/weve-been-lost">Silence by The Layaways</a>

    "The Layaways make fine indie pop. Hushed vocals interweave with understated buzzing guitars. The whole LP is a revelation from the start." -- Lost Music

    "Catchy Guided by Voices-like rockers who lay it on sweetly and sincerely, just like Lionel Richie." -- WRUV Radio

    Silence - free mp3 lyrics and song details
    The Long Night - free mp3

    Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody.



    album cover art from More Than Happy

    "These are songs that you want to take home with you, curl up with, hold them close -- and pray that they are still with you when you wake up." -- The Big Takeover

    Let Me In - free mp3
    Ocean Blue - free mp3

    Download from eMusic, Amazon MP3, or iTunes, stream it at Last.fm, Napster, or Rhapsody.

    More Layaways downloads:

    download the Layaways at eMusic download the Layaways at iTunes

    the layaways website